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The artistic spirit of Ilirjan Beqiri is
impressed by the landscape of his country, and through his imagination
reword he expresses the reciprocity with it. Fields and valleys in the
Beqiri’s fabric are elaborated in his imagination and afterwards
presented according his spiritual reflection. To express intervention of
his hand, he several times linear fences of the horizon. It seems like he
wants to raise his voice against figurative restrictions of freedom, will
and truth. Fortresses in his painting, in one side express the voice of
conscience which stands as a giant in front of the evil, while on the
other the physical survival of Illyrian gene in this expanse. Harsh and
dark colors help to be expressed the anxiousness but the ideological
attitude of the artist as well. The artistic work and style expressed in
paintings of each of the four painters is a conceptual and figurative
entirety but jointly they represent a conglomerate of figurative and
artistic sky of the Albanians in Macedonia during the end of century XXI
and early century XXI.
One
of the figurative and pragmatic phenomena in the artistic expanse of
Albanians in Macedonia is the free creative personality and ritualistic
activity of the painter Bashkim Mexhiti. His artistic work expresses a
figurative and rhythmic harmony and free gestures of the painter, in the
aspect of the automatic action in the moment when he stands in front of
the painting. His fabric contains all the ideal dimensions of his spirit,
which within a short interval of time they change, develop, darken,
brighten, flush, clarify. Vertical fields in his paintings in the free
poetry form represent luminosity of the vertical history, respectively out
of time and out of space history of existential reality, while those
horizontal are darker and seems like they yowl before the material tarnish
of the absolute purity of the truth. ConsequntlyBashkim Mexhiti has
not tried to transfer the abstract figurative forms into the fabric, but
has struggled greatly and has achieved his purpose, to use legal quantity
and modality of automatic action. With this he has found the key, which ad
infinitum opens the conscious room with lots of mental bedims of the
Balkan man. Voringer says that the desire for the reality reword is an
adequate expression of handling between man and nature that surrounds.
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